STANOVSKY combines piano chords with electronic sounds to create an avant-garde pop design of catchy radiance, contrasted by unique German lyrics. STANOVSKY finally shows the Peter Stanovsky he really is. For music was already once at the beginning of a career. With a project Kaind he had everything you need to get to the top: Strong songs, a fat major deal behind him, elaborately produced videos and photos. But it wasn't meant to be: "At the time, I put the focus on the wrong things. I created an art figure that I didn't want to be." After that he wrote songs for artists like LEA, Prinz Pi or Glasperlenspiel. 200, 300 songs, in completely different genres and moods. "I was always more of a chameleon when it came to songs. I could adapt. Serve different directions. A lot has to do with practice. Developing your own language."
His first songs combine musical fragility and a lyrical sophistication not often heard in German. References are difficult to name, the use of language peculiarly unique, the images in the songs momentary and illustrative.
STANOVSKY's concert is part of the funding project "c/o pop 2022 musichubgermany " and is supported by the Initiative Musik gemeinnützige Projektgesellschaft GmbH with project funds from the Federal Government Commissioner for Culture and the Media.